Instead of a Conclusion
/This is the last post in the Plots against Russia blog
Read MoreThis is the last post in the Plots against Russia blog
Read MoreMH17 was actually the missing Malaysian flight 370, and all the people on board were already corpses.
Read MoreNow the Ukrainian conflict isn’t just fratricidal; murdering children is assault on the future itself.
Read MoreThe sky is falling, and everyone under it couldn’t be happier.
Read MoreDespite its location, this is a war between Russia and itself.
Read MoreWestern Ukraine partying like it’s 1989
Read MoreThe sheer wrongness of destroying food is directly link to the rightness of eating it.
Read More“We’re here from America. Take some stuff.”
Read MoreThe “Uncle Ben Effect” allegedly caused children to vomit after repeated exposure to the American rice company’s commercials.
Read MoreThe post-Soviet Russia-Ukraine so often plays itself out in alimentary terms: what might Ukraine be sneaking into Russia’s (political) diet?
Read MoreInvading Russia from the West without going through Ukraine is theoretically possible, but inefficient
Read MoreUkrainians have somehow been brainwashed into thinking they exist.
Read MoreWere cities and countries truly reverting to their traditional, national names, or was someone just trolling diplomats and journalists?
Read MoreUkraine may not have been a “real”country, but Ukrainians, rather than being the enemy, were at worst a variety of Russian who talked funny.
Read MoreThe Russian literary tradition gives little comfort to participants in territorial disputes.
Read MoreThe violence in Ukraine, continually posed as a proxy war, would then be the work of malign forces pulling strings offstage
Read MoreEngaging with the demonized discourse (whether “zombification”, “propaganda”, or “fake news”) starts to look suspiciously like engaging in it.
Read MoreZombification is not just based on false psychological and informational premises: it is based on the belief that politics are the product of rational thought.
Read MoreThe directors juxtapose Astakhov with the imagined television viewer in a manner that insults them both.
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